Originally inspired by a poem of the same name by Elizabeth Bishop, “One Art” is an interdisciplinary arts collaboration that will explore the universal experience of loss. With artistic director Sheila McMath, “One Art” brings together a participants from many disciplines - performance artist Sadie Berlin, painter Melissa Doherty, writer/folklorist Emily Urquhart and sculptor Susan Low-Beer. These collaborators have worked together for two week-long intensives, in September and November 2019, and will reconvene in April 2020.
Technique No. 7 - Write (workshop performance, July 2018)
Learning to See is a durational performance for bass clarinet, percussion and euphonopen. Each of the 23 movements highlighting a certain type of musical gesture - the movement a person has to make in order to produce sound from an instrument. Learning to See encourages the audience to think of music as both sound and a visual form of expression and communication.
X-Camera is a pilot project researching ways of mentoring, co-working, and collaborating for emerging interdisciplinary and new media artists
Inter Arts Matrix is investigating different program formats for interdisciplinary artists, including workshops of various lengths, residencies, ongoing mentoring and project development.
We aim to reach media artists whose practice extends beyond the camera-based tradition of film and video production, and consists of the creative uses of software, projection design, interactive media arts installations, game design, and artistic works based on virtual reality. It is an opportunity for emerging and established interdisciplinary and media artists in Waterloo Region to get to know each other's practice, encouraging learning, skill development and networking, leading to collaborative projects.
X-Camera is designed for artists based in Waterloo Region. The kind of networking and collaboration that occurs naturally in a place like Toronto requires the intentional creation of an artistic community for regional artists. We will be able to share with other regional arts organizations the insights gained from this project.
This project is supported by grants from the Ontario Arts Council Media Arts Projects, the Musagetes Fund at the Community Foundation and by an Ontario Trillium Foundation Seed Grant.
X-camera logo art: © M.Nakamura. http://tessella.sakura.ne.jp/home.index.html
What in our peripheral vision is being missed?
An interactive installation piece that explores the beauty of deep-water Atlantic corals, and their fragility in the face of climate change. Anthozoa focuses on our dangerous behaviour of ignoring perils that are not immediately apparent, and on the role of the aesthetic in distracting and focusing our attention.
In Anthozoa, the ocean is associated with the unconscious, parallelled with bleaching of coral, the project portrays the “bleaching” of the unconscious.
Painting detail: Cheryl Ruddock
Cheryl Ruddock, painting
Nora Ruddock, poetry
Nathan Saliwonchyk, animation
Douglas Campbell, programmer
A machine for the haptic replay of a drawing
The Lineage Machine is composed of two parts: a device for “recording” or digitizing the movement of the drawing performer; and a haptic device for “playing back” or reproducing the drawing performance, that gently, but firmly, guides the arm and hand of the student/user/viewer through the movements used in the creation of a particular drawing.
An Epic for Two Actors
In the era of post-truth politics, live theatre shines a light on our willing suspension of disbelief.
A grieving storyteller takes on a young apprentice, and together they are drawn into telling an epic beyond their power to control. Two actors play a total of eleven roles in what turns out to be an ode to the art of acting.
Our sense of place in Waterloo Region
St. Jacobs occupies a special place in the identity of our Region, as testified by the highway signs that guide tourist cars and buses into town. St. Jacobs has spilled its cultural influence beyond its borders into the rest of the Region, into “St. Jacobs' Country”, and so it is a good place to start investigating our sense of place in Waterloo Region.
A story about coming of age and rites of passage
By Tawiah M'Carthy and Brad Cook
A universal idea told through the bodies of two young men, one from Canada and the other from Ghana. Although both come from very different cultural backgrounds, they share a common past that has shaped their possible futures.
Inter-Generational Story Creation
Generation to Generation Newcomer Program leads inter-generational family groups in a personal story creation process. Participants in the 2013 pilot and 2014 programs are immigrants and refugees who have come to Canada fleeing hardship. G2G celebrates the rich diversity of wisdom, story and heritage of the region's immigrant and refugee communities.
An opera about the first record ever made and the origin and meaning of the turntable
Time Brady (composer) / John Sobol (librettist)
A historical fantasy from the future about recorded sound and the people who invented it, mastered it, scratched it, stole it, remixed it and were transformed by it over a century and a half, cutting together threads and characters as diverse as the explosion of the island of Krakatau.
An interactive performance / environment with live video, electroacoustics, improvisational choir and Euphonopen
Isabella Stefanescu / Klaus Engel / Nick Storring / Christine Duncan / Edward Cho
Nothing catches your attention quite like hearing your own name, whether called by an official, whispered by a friend, mentioned in a broadcast, or overheard in a nearby conversation.
For bass clarinet and Euphonopen
On a table, a dozen ordinary household objects – bowls, bottles, jugs – the kind of things one encounters in a kitchen or a studio. Imagine… The gestures of the drawing performer will transform the memorialized sound of Morandi's way of drawing.
For soprano and visual artist
A multi-media chamber opera for soprano and visual artist, Mirror is a meditation on the risk each one of us takes when presenting a face to the public. Singer and artist collaborate to present a complex, interwoven conversation about themselves and their art.
A digital drawing instrument that generates and/or manipulates sound
The performance of a drawing contains information and expression that a finished drawing does not. The Euphonopen is an instrument that captures the complexity of mark-making movement and translates it into sound. Through the Euphonopen, drawing - as a subset of dance - becomes integrated with music and allows us to see and hear the drawing expressed in time as well as space.
monstrous musings, unconscious utterances
Frankenstein's Ghosts is a collective creation-research project to build a hybrid critical discussion and multi-media performance work based on the substantive issues raised in Mary Shelley's seminal novel, Frankenstein.
How the power of sound can save us
The children have returned as the Pied People, trained in the musical magic of the Pied Way. The earth's environmental problems are now catastrophic. The Pied People attempt to conjure up the Pied Piper, now revealed to be a woman known as MyAudia. They must get the townspeople to pay attention to the magical sounds around them, to honour the debt they owe to MyAudia and to the environment.
A series of short films / modern musical adaptations of Franz Schubert art-songs
Schubert Now is a series of short films that ask: How can the Romantic poet's heightened sensory experience of nature have relevance today? Donovan's funky musical adaptations of Schubert art-song masterpieces contrast the relationship between our 21st century experience of disconnection from nature and the 19th century Romantic immersion in, continuity with, and inspiration from, nature.
Are you interested in what you are hearing? "Music is all around us, if only we had ears." - John Cage
Peter Hatch's Guerilla Sound Events (2004) are short, spontaneous performance art pieces intended to draw attention to urban soundscapes through unannounced sonic interventions. While often humorous in nature, they also call for a more active role in shaping our urban soundscapes.
Audible hors d'oeuvres!
Intended for large social functions this project presents entertaining interventions that appear and disappear quickly into the crowd. Inter Arts Matrix has presented (((cocktail party effect))) in many unusual venues, including the National Ballet of Canada Galas (2008-2009) and the Stratford Shakespeare Festival Fundraisers (2008-2009).
A series of gentle disturbances
Sounding Rituals is a series of public interventions that gently disrupt social conventions. With a view to exposing our social borders, these ritualistic acts question unwritten norms and reclaim urban space even as they suggest something other. Spiced with humour, the interventions do not adhere to widely-held standards of artistic excellence and beauty, and can be performed by any group of adventurous lay-citizens.
A four-dimensional audio-visual tapestry that moves beyond what is known into the realm of the imagination in a venue that celebrates expansive thinking.
Reaching for Nothing: Water's Thirst is a 110 minute audio-visual meditation in which the breath of space, light and sound move as currents in a stream, crossing and weaving a four dimensional tapestry in which the audience is immersed.
"The artist's notebook can be viewed as a tool of creation while it is being used: or as a place, very similar to a studio, for thinking, musing and doodling." - Isabella Stefanescu.
The pages of an artist's notebook are transformed into wall-sized projected images with the viewer controlling the sequence of the content. This collaborative image, sound and interactive project creates a public context for the private mark-making and notations of an artist and provides a window into the artistic process.